Originals
An Inappropriate Reflection of Guilt
An Inappropriate Reflection of Guilt
Presenting works depicting some obvious reasons in our society why one could become homeless.
This is Ozturk’s third collection of art and was shown at GlaxoSmithKline Headquarters, Brentford, Middlesex in September 2011. He has done so to help raise awareness and funds for various charities.
The Exhibition
Most homeless people are stereotyped as drunks, drug addicts, lazy, so on and so forth. This perception is misleading; the truth is far from that. Nobody ever woke up one morning and said, “I know, I’ll live on the streets, be homeless and scrounge off the state, sleep on filthy pavements, drink alcohol all day, live in a cardboard box and beg”.
The issues surrounding why an individual could become homeless are diverse and demonstrate the way in which we, as a Society, in a Democratic Country, are failing many of our fellow countrymen, women and children.
One should consider the roots of our problems, the issues start much earlier than we realise. We are a Society driven partly by money, greed, and selfishness, but it’s not all bad as we are also generous. What bothered me the most in my research is the fact there are so many people who have become homeless. In this country alone there are three million children living in poverty, many of whom will not have a chance and many of them may become drug users or alcoholics’, suffer abuse and have many more reasons to leave their so called homes for the streets as an attempt to escape.
Over the years Charities have formed to try and pick up the pieces but it is our Governments over and over again that have failed to deal with the main issues. The stock pile of poverty increases every day and the chances of becoming homeless are increasing.
Conclusion
‘Homelessness’ means lost talents, aspirations and faded dreams. A good percentage of these hopes wither away never to be realised. The homeless world falls on deaf ears, caught by a glimpse of an insensitive passerby who is often more fortunate.
Having researched this subject I seriously considered producing images which are indeed less palatable; instead I created works that can be sold to hang in homes throughout the country. I consider it my civic duty to create awareness for this subject matter. Most of the images created for this collection are pretty tame, that is to say, “not full on”.
Homelessness has risen seventeen percent this year; I’m pretty disappointed and upset with what I have discovered, it’s a shameful awakening, it is An Inappropriate Reflection of Guilt.
Namik Ozturk
Artist
Homeless
An Inappropriate Reflection of Guilt Collection Namik Ozturk b.1962 HOMELESS Signed Ozturk (bottom right) Oil on linen canvas 40 by 30 in. 101 by 76 cm Created in late Spring 2011. PROVENANCE - Owned by the artist EXHIBITED GlaxoSmithKline Brentford London September 2011 Supporting ‘Crisis’ The Homeless Charity. Not really conscious of where she is begging, a young woman, homeless, takes up her position outside a disused No 10 Downing Street. The door with its worn out brush strokes is deliberate; Ozturk’s reason for displaying the famous Downing Street address in such a way, is to remind our present day and future Prime Ministers that they too will lose their converted and precious home. All said and done, it would appear that the homeless lady and the occupiers of this famous address both have a little more in common, in one way or another they were both booted out.
| Fine Art Paper Prints | Ready to Hang Canvas Prints | ||||
|---|---|---|---|---|---|
| 16" x 20" | £25 | 16" x 20" | £80 | ||
| 18" x 24" | £30 | 18" x 24" | £87 | ||
| 22" x 28" | £40 | 22" x 28" | £98 | ||
| 26" x 34" | £52 | 26" x 34" | £118 | ||
Lost
An Inappropriate Reflection of Guilt Collection Namik Ozturk b.1962 LOST Signed Ozturk (bottom right) Acrylic, Charcoal and Pen on Acid Free Paper. 30 by 24 in. 77 by 61 cm Created in late Spring 2011. PROVENANCE - Owned by the artist EXHIBITED GlaxoSmithKline Brentford London September 2011 Supporting ‘Crisis’ The Homeless Charity. The chap sleeping in the doorway of a well known high street bank appeared dazed; he did not acknowledge me as I walked closer to ask for permission to draw him. From thirty feet away I drew a very quick sketch; then I realised, it was me who was dazed; opportunity and advantage had played a role in this image and I had just taken advantage of a man who literally had nothing. I ripped the drawing from my sketch book, discarded it in a nearby bin, I had just been struck by guilt and shame.
| Fine Art Paper Prints | Ready to Hang Canvas Prints | ||||
|---|---|---|---|---|---|
| 16" x 20" | £25 | 16" x 20" | £80 | ||
| 18" x 24" | £30 | 18" x 24" | £87 | ||
| 22" x 28" | £40 | 22" x 28" | £98 | ||
| 26" x 34" | £52 | 26" x 34" | £118 | ||
Age of Public Opinion
An Inappropriate Reflection of Guilt Collection Namik Ozturk b.1962 AGE OF PUBLIC OPINION Signed Ozturk (bottom right) Acrylic, Charcoal and Indian Ink on Acid Free Paper. 33 by 23 in. 84 by 58 cm Created in late Spring 2011. PROVENANCE - Owned by the artist EXHIBITED GlaxoSmithKline Brentford London September 2011 Supporting ‘Crisis’ The Homeless Charity. We reached the age of the Internet and many of us are well versed in what is available through this communication structure. Over the last decade, a boom in Social Networking Sites have enabled us to express our opinions without a second thought, where as formerly many people would write, phone or physically protest and march to press their point. Newspapers indeed have played their part, giving us images, glimpses into the opinions of many. If we take a look at what is happening today within different countries we hear about in the news, we can see how Social Networking has gathered people together quickly, swiftly and silently. This is the age of 'Public Opinion' people can now be heard for whatever cause they are rooting for.
| Fine Art Paper Prints | Ready to Hang Canvas Prints | ||||
|---|---|---|---|---|---|
| 16" x 20" | £25 | 16" x 20" | £80 | ||
| 18" x 24" | £30 | 18" x 24" | £87 | ||
| 22" x 28" | £40 | 22" x 28" | £98 | ||
| 26" x 34" | £52 | 26" x 34" | £118 | ||
By Any Means
An Inappropriate Reflection of Guilt Collection Namik Ozturk b.1962 BY ANY MEANS Signed Ozturk (bottom right) Acrylic, Charcoal and Marker Pen on Acid Free Paper 30 by 24 in. 77 by 61 cm Created in late Spring 2011. PROVENANCE - Owned by the artist EXHIBITED GlaxoSmithKline Brentford London September 2011 Supporting ‘Crisis’ The Homeless Charity. Nude Study of a determined woman contemplating how to get what she wants. A story of someone Ozturk once new; she allegedly became devious; the story goes that she was responsible for selling her mother’s home without her permission. The elderly mother became homeless for a short time and her daughter ran off with her husband and the money.
| Fine Art Paper Prints | Ready to Hang Canvas Prints | ||||
|---|---|---|---|---|---|
| 16" x 20" | £25 | 16" x 20" | £80 | ||
| 18" x 24" | £30 | 18" x 24" | £87 | ||
| 22" x 28" | £40 | 22" x 28" | £98 | ||
| 26" x 34" | £52 | 26" x 34" | £118 | ||

